Mirrors
7 products
7 products
A mirror does more than reflect. It anchors a wall, borrows light from across the room, and when the frame is right, reads as art the moment you walk in. That combination — functional, spatial, aesthetic — is why a considered mirror belongs in almost every room.
The bedroom is the most personal use of a mirror. It is accurate light for getting dressed, a last check before you leave, and a piece that holds the room together when you are not in it. Position it beside a window for the truest colour, or centre it on a wall to anchor the space. A mirror with a considered frame also reads as art between uses — which is more than most furniture can claim.
In a living room, a mirror placed opposite a window pulls natural light deeper into the space and makes the room feel considerably larger — one of the most consistent pieces of interior advice for good reason. In an entryway, it does two things at once: a last-look station before you leave, and a decorative focal piece when you return. Pair it with wall art or wall shelves on the adjacent wall and the corner becomes a composition rather than just a surface.
The principle is simple: a mirror placed opposite a light source doubles the light and extends the sightline. The room reads as bigger without a single structural change. This works at any scale and in any room — it is one of the few interior moves that costs nothing except choosing the right wall.
The decision usually starts with the wall — how much of it you want to fill, what is already around it, and how much of yourself you need to see.
1.Size and proportion — Above a piece of furniture, aim for a mirror roughly two-thirds the width of what is below it — too small and it gets lost, too large and it dominates. For a larger wall, scale up accordingly. A single oversized piece commands the room; several smaller pieces arranged together create a gallery effect that can be more forgiving.
2.How it will sit — Some mirrors mount flat to the wall; some lean and stand independently; some are assembled as tiles across a larger surface. Each placement changes how the room reads. Mounted feels architectural and permanent. Leaning feels considered and relaxed, and can be moved. Tiles give you the most surface coverage without the weight of a single large piece.
3.Frame and finish — Metal and aluminium frames are minimal and suit contemporary rooms. Fabric and upholstered frames add warmth and make a mirror read more like furniture than a utility piece. Frameless tiles keep things seamless and modern. As a rule, echo the tone of your existing furniture and the finish tends to fall into place.
4.One piece or many — A single mirror with a sculptural or distinctive frame reads as art — the kind of piece that earns its wall and works alongside wall sculptures and resin pieces as part of a broader composition. A symmetrical pair or a run of tiles creates a different kind of presence — more architectural, less singular. Both approaches are valid; the room usually tells you which one belongs.
5.Safety — For homes with young children or for pieces going somewhere they could be knocked, look for shatter-resistant glass. Select mirrors in this collection carry that as a built-in feature.